1/15/2024 0 Comments Pizzicato music![]() This would also be the only approach that would let us play two notes on non-adjacent strings, something like this. So even with normal technique, loud ones would probably be near simultaneous.īut for truly simultaneous attack, I would simply use a second finger for the higher note. Pizzicato double stops on adjacent strings would normally be handled the same way. At lower dynamics, or for expressive purposes, the performer could roll the chord more noticeably. If it's in forte, and the performer chooses to, this strum can be near simultaneous. Meanwhile, pizzicato chords are done by strumming the pointer finger across the relevant strings. ![]() In passages of rapid pizzicato-like, really, anything above 16th notes at 60 bpm-one can't be quite as particular, and settles for simply "pecking" each note. The performer might use some extra "tricks" to get the very best sound, like bracing the thumb against the pointer finger, and plucking near the first harmonic node of the string. ![]() For the most resonant, full-bodied tone, a lot of thought has to be given to the rigidity of the finger and the angle at which it contacts the string. Under normal circumstances, right-hand pizzicato is only done with the pointer finger. In terms of technique, it helps to know the standard technique. I actually do this often on purpose in orchestral settings that would often be taken as divisi, say pizzicato octave double stops, just because I'm bored. A picture is worth a thousand words, so when I get a chance I might edit this answer with a video for demonstration. ![]() It could be considered a bit of an "extended technique," but is certainly not the hardest or most outlandish thing requested in modern repertoire. I disagree with Lazy it's very doable to pluck two strings simultaneously with two fingers. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |